Think Where’s Waldo. Meets Dr. Seuss. Meets I Spy. Something Like That.
Health, Happiness, Monty the Great
Think Where’s Waldo. Meets Dr. Seuss. Meets I Spy. Something Like That.
Health, Happiness, Monty the Great
Sometimes when I’m sad or frustrated or just looking for something to make smile, I look at this picture: It’s the passport photo of my 1-year-old niece, Olive. It’s funny how just an image can cheer us up or change our energy. Any photo of my nieces tend to brighten me up, but this one in particular makes me happy. Cutest passport in the history of time? I think so. Some things are too cute, words will only spoil them. So I’ll leave this one alone.
Health, Happiness, and Indecently Cute Passport Photos
I’ve been pretty taken by these Day Lilly flowers blooming outside. I like that their entire purpose (for me) is just to be something delightful to look at. To be simple and beautiful reminders. It took years and years of me hearing the term “Day Lily” being thrown around as merely words assigned to a flower to one day, just last week, finally putting it together that they are named this way because they bloom for merely a day. (Duh.) They are such vibrant and roaring things. They’re like little poems themselves that don’t require writing. Flowers often strike me as delicate but these specifically do not. They’re almost unruly. They are stunning colors and you’ll find yourself lost looking in their center, unaware of time. Tolle refers to flowers as “Windows into the formless” and that makes sense when looking at these lilies. They’re incredible creatures, and they only last a day.
If you’ve never read Eckhart Tolle’s A New Earth, he begins the book with a description about the first flower ever to bloom on our planet, and why that is important to our existence and collective consciousness now. It’s quite a beautiful passage. So here it is:
Earth, 114 million years ago, one morning just after sunrise: The first flower ever to appear on the planet opens up to receive the rays of the sun. Prior to this momentous event that heralds an evolutionary transformation in the life of plants, the planet had already been covered in vegetation for millions of years. The first flower probably did not survive for long, and flowers must have remained an isolated phenomena, since conditions were most likely not yet favorable for a widespread flowering to occur. One day, however, a critical threshold was reached, and suddenly there would have been an explosion of color and scent all over the planet– if a perceiving consciousness had been there to witness it.
I really love this description and the image of such a large, simultaneous blooming. But the deeper point he goes on to make is that flowers were most likely the first things human beings came to value “that had no real utilitarian purpose for them–that is to say, were not linked in some way to survival.” He attributes our fascination with flowers to their ethereal quality, calling them “temporary manifestations of the underlying One Consciousness.” Since a flower is a glimpse into the formless, and ego is described as “identification with form” (materialism, i.e. I am what I have) we can say that the simple act of looking at flowers is an opportunity for us to see with our soul and not our eyes. To drop our egos for a moment. Physically the flowers are beautiful, and underneath they represent the joy of formless beauty. You don’t have to “own” a flower to enjoy it. It’s interesting too to witness how the entire atmosphere of a room can change once you put a vase of real flowers in the center. Or even one flower in a small vase. Somehow, it makes a difference. It changes things.
To think about beauty and purpose in terms of time, it occurs to me that only humans would consider a day not long enough for something to exist. If we were told we could be beautiful and happy and perfect, but we could only last a day, would we take on the endeavor? It seems like we’d demand more time–enter some boardroom negotiation with the creator. And yet, some of us exist on earth for only a little while. There are so many lives cut short, and as survivors we see it as indecent. It feels, to us, like they were never given a chance. They were never able to really live. But maybe, like the day lilies, one day of life is more than enough time for us to serve our purpose. It’s hard to grasp conceptually. Time is something my mind busies itself with at night–until I think of the concept of eternity for too long and the thought becomes too intense and my brain explodes. It’s pretty frustrating, you can imagine. Gary Zukav once described life in terms of time as “the eternal moment” and sometimes that makes perfect sense to me and sometimes it’s not enough. It’s almost too simple. But that’s how I imagine a lot of the secrets of the universe to reveal themselves. Complex, large ideas executed very simply. Maybe the better word for it is elegant.
Maybe I’ve made some far-reaching metaphors here. The truth is, flowers are pretty things to look at mostly, and possibly I’m ruining their beauty by cluttering them up with philosophy. But it’s an interesting investigation to discover why we as humans, often so entrenched on utilitarian things, furthering our purpose, working harder and faster and longer, can every once in a while stop our busy lives and look into flowers and feel a sense of ease and simplicity. We may smile looking at them without even knowing it. It’s interesting that in our modern society, flowers have come to serve the purpose of a wide spectrum of emotions. They’re a way to say “I Love You” and “I’m Sorry.” We use them to celebrate life and death. It’s no mystery why people say “Stop and smell the roses.” Flowers are small and silent, their scent often subtle–requiring you to drop everything and stick your nose right into the bloom to really take it in. I think once I just thought they were pretty things to look at and that was all. But I’m finding more and more that simple and beautiful things, selfless providers, (flowers, dogs, sunsets) are much more in tune to our purpose here and the work we do. If ego is the blueprint for dysfunction like Tolle says, perhaps flowers are the blueprint to consciousness. If even just for a day.
Health, Happiness, Day Lilies
*I took these photos on my iphone and they haven’t been enhanced. For realsy!
Since my genuine exposure to the “old times” has been either black and white photos or black and white film, these color photographs that have emerged of life in the 30’s and 40’s have found their way into every corner of the intweb and are a real gem. Every time I look at them I feel like I am glimpsing a reality that I’ve never truly felt connected with. The olden days have been described to me by my grandparents and in magazine articles and I’ve laughed at the way actors speak in old movies and their gay, wordy advertisements– but for some reason it’s just always seemed like a story. It never quite felt personal. I know it was real, because my grandpa used to tell me war stories and I’ve sat through history class since 3rd grade, never truly appreciating that there really was life before me. So it’s funny to me that something as simple as color could bring something so distant to life for me, but these really do that. It’s like looking at thousands of paintings of Jesus and then being handed a headshot.
Basically, the disconnect between then and now was broken, and I dove right in. The prints were taken on Kodachrome by the Farm Security Administration and Office of War Information throughout the 30’s and 40’s respectively. They were then released by the Library of Congress in 2006 for an exhibition called Bound For Glory; America in Color. I don’t know why the element of color has upped the real factor to such a high degree, but I never get tired of looking at them. I have to remind myself constantly that they aren’t actors and they aren’t in costume.
For as long ago as the “old days” have always felt to me, something about these color prints remind me it really wasn’t that long ago. Can you imagine showing the people in these photos an iphone? Or trying to explain the premise of Facebook? (Kind of makes me feel disdain for the times we’re living in) So much has changed and yet inside, I don’t feel we’re as far apart as we think. Then again when I looked at Facebook a few minutes ago, I may have changed my mind.
I think a lot about the “records” we’re leaving behind for the generations who will come after us. Looking for clues as to what life was like in our day, for the strands of humanity that tie us all together no matter how many years have passed. Will there be Facebook 100 years? How will our grandchildren study us? It hit me a few days ago that this blog is somewhat of a record itself- a sick girls life and her dog and yada yada. It then occurred to me that if I die tomorrow..the blog would live on. It has its own shelf life now. Unless I leave someone in charge to disassemble it once I’ve gone on. But I think I’m fine with it living without me. It’s turned into a community of sorts and that’s something I hope will live…forever? But my Facebook page– Maybe somebody should kill that.
So it was cloudy and California’s version of cold today and since it was one of those days that a normal person might go to a gallery..I brought the gallery to me and started looking at art online and some of this stuff was just too good not to share. It made me wish I was an artist. But the only art I’ve made lately is this drawing of Mario Lopez from December.
Maybe I should stick to writing. Or sharing actual artists work in this case. Here’s what really stuck with me today.
So this conceptual artist Rachel Perry Welty uses everyday items in sequence or on repeat per se to construe American “middle class minertia” as she puts it. In her show “Lost in My Life” she uses the byproducts of her domestic life to make for some unusual and beautiful prints. I couldn’t get over the stunning visuals and patterns brought on by tiny objects I see all the time.
I love how she never shows her face and how the small pieces become part of her apparel. Awesome stuff! You can read more about her and her exhibition here or here. For me the most inspiring part to hear was that she didn’t even enter the world of art until she was 36, and her work and ideas emerged out of lack of materials and time as she was a full-time working mother when she began. Word.
OK and then there’s this:
How effing cool is this? Artist Doris Salcedo filled a gap between two buildings in Central Istanbul with roughly 1,550 chairs and her intent was to create a “topography of war” embedded in everyday life. Whatever you deduce from it, you can’t deny that visually it’s just spectacular and the simplicity of materials with such a complex and poignant result is surprising, not to mention its impressive scale.
OK last and not least I discovered a poem today that I found so incredibly enjoyable that I realized poetry can be fun and good modern poetry does exist. My friend Giselle, a ceramic artist, hates poetry mostly and I understand why, and a lot of the time I hate it too. (It doesn’t stop me from writing it or reading others) But this poem today, well it just really stuck with me and reminded me how much fun an often sad art form can be. It’s a little lengthy so click here to read it. It’s called Tap Water and is written by Mathew Yaeger. Job well done dude! A few favorite lines are:
What good is it
polishing to a shine the pile of dimes on which your life
has turned. You feel blessed or you feel regrets.
When a woman has entered your life and then
left it you are changed and while you may change
forward into something resembling what you once were
you most certainly do not change back.
So, I guess that’s enough art for our cloudy cold Tuesday. Monty is bored. I’ll see you next time.
Health, Happiness, Art Gallery Day